Pia Camil (b. Mexico, 1980) lives and works in Mexico City. She has a BFA from the Rhode Island School of Design and an MFA from the Slade School of Fine Art, London. Her work has been exhibited internationally with recent solo-exhibitions including: Nidos y Nudos at Bum and Poe, Los Angeles (2021); Three Works at MOCA Tucson, AZ (2021);Laugh Now, Cry Later at OMR Gallery, Mexico City (2020); Here Comes The Sun, performance at Guggenheim Museum, New York (2019); Fade into Black: Sit, chill, look, talk, roll, play, listen, give, take, dance, share, Queens Museum, New York (2019); Bara, Bara, Bara, Tramway Art Space, Glasgow (2019); Telón de Boca, Museo Universitario del Chopo, Mexico City (2018); Split Wall, Nottingham Contemporary (2018); They, Galerie Sultana, Paris (2018); Bara, Bara, Bara, Dallas Contemporary (2017); Slats, Skins & Shopfittings, Blum & Poe, New York (2016); A Pot for a Latch, New Museum, New York (2016); Skins, Contemporary Arts Center, Cincinnati (2015); The Little Dog Laughed, Blum & Poe, Los Angeles (2014); Espectacular Telón, Galerie Sultana, Paris (2013); Cuadrado Negro, Basque Museum Centre for Contemporary Art, Vitoria-Gasteiz, Spain (2013). Camil’s work is usually associated to the Mexican urban landscape, a critical approach to modernism’s legacy and the politics of consumerism. In her recent work, she emphasizes the importance of collectivity through public participation.